This week in An Alan Smithee Podcast, Andrew and Matt become the ninth and tenth people to have seen Robert Wise’s theatrical swan song, Rooftops. Wise sure does love New York City, and his depiction of rooftop runaways in a generic part of Brooklyn often feels like a musical about homelessness about to break out and bust a move. Lost in the big, dumb and loud Summer of 1989, people are wan to forget some of the smaller big, dumb and loud movies, one which Andrew calls the worst we’ve seen yet. Considering we just saw ’89s Tango & Cash, that’s impressive.
Then it’s on to Matinee, where Joe Dante gives us the warm enveloping American nostalgia of 1962 without all the bullshit, AND KIDS WHO CAN ACT! Where did he find them? Gremlins 2 writer Charlie S. Haas deftly and jauntily tell the story of many, many things converging at once: young monster movie fan Gene’s new friends and romances in a new Florida town, the Cuban Missile Crisis, of which Gene’s father is stationed near, Gene’s touching relationship with his younger brother, plus 1993’s big star draw: John Goodman as Lawrence Woolsey, the ultimate fictionalized caricature of William Castle the horror movie gimmick master.
Dante’s extended movie-within-a-movie of Woolsey’s bug transformation shocker MANT! is pitch perfect. One of the best and most profound comedies about the magic of movies, Matinee is like the bright and colorful counterpart to Tim Burton’s Ed Wood, showing what movies mean to kids on the verge of adulthood and what the ritual of moviegoing meant to Americans of the atomic baby boom. Hence the mushroom cloud on the poster.
NEXT WEEK: THE WAGES OF FEAR (1953, HENRI-GEORGES CLOUZOT) & TALK RADIO (1988, OLIVER STONE)